SETTING UP YOUR SYSTEM Place a SPL meter in the location where you will be when monitoring and mixing your m
INSERT PROCESSORS EXAMPLE Here is an example of how we set up our db. You can think of this as a starting point. Obviously, your hardware requirement
AUDIO CONTROL Activating the MONO AUDIO switch will take all stereo audio and convert it to a mono audio signal sent to both left and right monitor
MID/SIDE PROCESSING The MID signal will be processed by the Left channel, while the SIDE signal will be processed by the Right channel. PARALL
TRACKING First, prepare an audio track to record to in your DAW, setting the input source to inputs 1 and 2 (for stereo recording) or input 1 or 2 in
PLAYING TRACKS FROM THE DAW SUMMING Many professionals choose to use analog summing to retain the high resolution of each track through the D/
NOTE: Selecting MONO SUMMING will make that audio input louder as it assigns a single audio input to both the left and right audio outputs. You can co
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USER NOTES 16
TABLE OF CONTENTS Written by Jered Flickinger Copyright 2012 Future Retro www.future-retro.com 1 Introduction
INTRODUCTION Thank you for choosing the db. Please take time to read through the entire manual to gain a complete understanding of the unit’s feature
2 PRECAUTIONS Look over the unit to make sure no damage has occurred during shipping. Never apply power to a unit that appears damaged. Check that
SPECIFICATIONS WIRING All DB-25 connectors are for use with standard D-sub 8-channel snakes. Use high-quality audio cables whenever possible. DB-
CONNECTIONS Microphones should be connected to MICROPHONE inputs 1 and 2 on the front panel. If you are doing stereo recording
Connect channels 1-8 OUT of your DAW audio interface to SUMMING IN 1-8. If your DAW audio interface has 16 outputs, connect channe
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